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  • Noticeboard - Small, Linen, Elefant, Blue, Estrid Ericson/Svenskt Tenn | Svenskt Tenn
  • Noticeboard - Small, Linen, Elefant, Blue, Estrid Ericson/Svenskt Tenn | Svenskt Tenn

Noticeboard Small, Linen, Elefant, Blue

160 USD (inkl. moms)

Decorate the workplace with Svenskt Tenn’s noticeboard, upholstered with Estrid Ericson or Josef Frank textile. The noticeboard is decorated with webbing and rivets. The back has a suspension device in the fabrics direction.

Svenskt Tenn’s founder Estrid Ericson travelled a lot to different places around the world. She always looked for beautiful items and textiles and souvenirs that she could take home and sell in the store on Strandvägen in Stockholm. She designed this print with small elephants, based on a model from the Belgian Congo. The Elefant (Elephant) textile was printed for the first time in the end of the 1930s.

  • Elefant Blue

    Print: Elefant Blue

  • Size: Small

  • Material: Linen

Web: In stock   Store: In stock

160 USD
Including VAT
  • Product information

    Art nr: 107220

    Decorate the workplace with Svenskt Tenn’s noticeboard, upholstered with Estrid Ericson or Josef Frank textile. The noticeboard is decorated with webbing and rivets. The back has a suspension device in the fabrics direction.

    Svenskt Tenn’s founder Estrid Ericson travelled a lot to different places around the world. She always looked for beautiful items and textiles and souvenirs that she could take home and sell in the store on Strandvägen in Stockholm. She designed this print with small elephants, based on a model from the Belgian Congo. The Elefant (Elephant) textile was printed for the first time in the end of the 1930s.

    Art nr: 107220

    Design: Svenskt Tenn
    Material: Wood, padding, linen
    Size: 40x60 cm

  • Designer: Estrid Ericson/Svenskt Tenn

    Svenskt Tenn developed this design using Estrid Ericson's print.

    Estrid Ericson began her career as a drawing teacher and pewter artist. But what really set her apart during her 56 years as managing director for Svenskt Tenn were her abilities as a producer and scenographer. Ericson never had an aesthetic programme mapped out, but she had an imaginative person’s perceptiveness for the many faces of beauty.