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  • Svenskt Tenn Bricka Rund Aralia D49

Tray Aralia Art nr. 102465

560 SEK (inkl. moms)

Svenskt Tenn's classic trays are available in a number of prints by Josef Frank and Estrid Ericson, including Aralia.

A large, boldly printed linen cretonne for its time, Aralia was introduced in connection with the interior design of a house in the fashionable Hohe Warte district in Vienna. Josef Frank and his colleague Oskar Wlach did the house’s interior design. The large leaves in the print are almost the same as those found on the potted Aralia plant. The print was designed around 1928.

This tray size goes together with Svenskt Tenn's tray stand in steel.

  • Diameter : 49 cm

Web: In stock   Store: In stock

560 SEK
Including VAT
  • Product information

    Svenskt Tenn's classic trays are available in a number of prints by Josef Frank and Estrid Ericson, including Aralia.

    A large, boldly printed linen cretonne for its time, Aralia was introduced in connection with the interior design of a house in the fashionable Hohe Warte district in Vienna. Josef Frank and his colleague Oskar Wlach did the house’s interior design. The large leaves in the print are almost the same as those found on the potted Aralia plant. The print was designed around 1928.

    This tray size goes together with Svenskt Tenn's tray stand in steel.

    Design: Josef Frank/Svenskt Tenn
    Diameter: 49 cm

    Each one-of-a-kind item will feature unique variations.

  • Designer

    Svenskt Tenn developed this design using Josef Frank's print.

    Josef Frank grew up in Vienna in an assimilated Jewish family and studied architecture at Konstgewerbeschule. In the 1920s he designed housing estates and large residential blocks built around common courtyards in a Vienna with severe housing shortages. In 1925 he started the Haus & Garten interior firm together with architect colleagues Oskar Wlach and Walther Sobotka. Svenskt Tenn hired Josef Frank in 1934 and just a few years later he and Estrid Ericson made their international breakthrough. Although he was already 50 when he left the burgeoning Nazism in Vienna for Sweden, Frank is considered one of Sweden’s most important designers. Read More